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    Home»Mobile»The Honor Magic 9 Pro Max Shoots in ARRI LogC3. ARRI’s $80,000 ALEXA 35 Has Moved On to LogC4.
    Mobile

    The Honor Magic 9 Pro Max Shoots in ARRI LogC3. ARRI’s $80,000 ALEXA 35 Has Moved On to LogC4.

    Olivia HartmanBy Olivia HartmanNovember 11, 20269 Mins Read
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    Videographer shooting with a smartphone mounted on a gimbal, illustrating ARRI Cinema mode on the Honor Magic 9 Pro Max
    Photo: Pexels
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    The Revenant, Blade Runner 2049, both Dune films. If you have watched an Oscar contender in the last decade, there is a good chance it was shot on an ARRI camera. The German company has been building cinema gear since 1917, and its ALEXA cameras are what most big productions rent when the picture really matters.

    Now the ARRI logo is printed on the back of a phone. The Honor Magic 9 Pro Max ships with an ARRI Cinema mode that records 4K at 60fps in ARRI LogC3 and ARRI Wide Gamut 3, plus a set of real ARRI color looks you can preview while you shoot. TechRadar went hands-on in Hollywood and came away impressed, if a little worried the tools are niche.

    We dug into what LogC3 actually is, where the phone can be bought, and the detail most launch coverage skips: ARRI’s own flagship, the ALEXA 35, no longer uses LogC3 at all.

    Quick answerThe Honor Magic 9 Pro Max launched in China on September 28, 2026 from CNY 6,499 (about $968). It reached Hong Kong on November 4 at HK$10,999, with sales from November 19. Europe and the UK get it in January 2027, price not yet announced, and there are no US plans. Its ARRI Cinema mode shoots 4K60 10-bit LogC3 with 14 built-in ARRI looks, access to 87 ARRI Look Library profiles and support for your own LUTs. LogC3 is the format of ARRI’s ALEXA Mini and LF generation, which makes the phone easy to match with that footage. The newer ALEXA 35 records in LogC4.

    The phone in four numbers

    2 × 200MP
    Main and 3.5x periscope cameras
    4K60
    ARRI LogC3, 10-bit, Wide Gamut 3
    8,800mAh
    Silicon-carbon battery, 100W wired
    10,000 nits
    Peak brightness, 6.8-inch LTPO OLED
    Sources: Honor, GSMArena, Android Central. Graphic by GeekBlog.

    The design tells you what Honor is going for. Instead of the big round camera island on last year’s Magic 8 Pro, the Magic 9 Pro Max uses a three-lens layout inspired by ARRI’s classic Arriflex film cameras: one large main lens with two smaller ones stacked beside it. A textured metal ring around the main camera even feels a bit like a focus ring. It is the first phone to wear an ARRI badge on the body and on the box.

    Full specs

    SpecHonor Magic 9 Pro Max
    Display6.8-inch LTPO OLED, 1320 x 2868, 120Hz, 10,000 nits peak
    ChipSnapdragon 8 Elite Extreme Gen 6, plus Honor Imaging Chip H1
    RAM and storage12GB/256GB up to 16GB/1TB
    Main camera200MP, 1/1.28-inch, f/1.57, OIS with 3° gimbal-style stabilization
    Telephoto200MP periscope, 1/1.4-inch, f/2.6, 3.5x optical, OIS
    Ultra-wide50MP, f/2.0, 122° field of view
    Selfie55MP multi-aspect, plus 3D depth sensor
    VideoUp to 4K120; ARRI Cinema mode 4K60 LogC3, Wide Gamut 3, 10-bit
    Battery8,800mAh silicon-carbon (Hong Kong model reportedly 8,000mAh)
    Charging100W wired, 80W wireless, reverse charging
    DurabilityIP68 and IP69K
    Size and weight161.6 x 77 x 8.6mm, 233g
    SoftwareMagicOS 11 on Android 17, up to 7 major OS updates

    Sources: Honor, GSMArena, Daily Camera News, Huawei Central.

    What ARRI Cinema mode actually gives you

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    Most “pro” video modes on phones are a few manual sliders and a flat color profile. ARRI Cinema mode goes further. Turning it on loads a separate camera interface that looks and behaves more like a cinema camera menu. You get shutter angle instead of shutter speed, exact white balance in Kelvin, ISO, focus peaking, frame lines for different aspect ratios, audio levels and lens selection, all on one screen.

    The headline is the recording format. Footage is captured in ARRI LogC3, the log curve ARRI designed for its cinema cameras, in ARRI Wide Gamut 3 color. Daily Camera News reports the phone can write this as 10-bit 4:2:2 APV, a high-quality codec built for grading.

    Straight out of the phone, log footage looks flat and almost gray. That is the point. It holds as much highlight and shadow detail as possible so a colorist, or you, can shape the final look later in an app like DaVinci Resolve.

    The looks and LUTs

    • 14 preloaded ARRI looks: two technical conversion looks plus 12 creative ones, many taken from ARRI’s professional Look Library. TechRadar’s favorites included ARRI-6311 for soft pastel tones and ARRI-9211, a day-for-night look.
    • 87 ARRI Look Library profiles you can browse and download from ARRI.
    • Third-party LUTs: import any compatible LUT, including the many free ones online.
    • Live preview: see the graded look on screen while you record, while still keeping the flat log file for later.
    Plain EnglishA LUT (lookup table) is a color recipe. It tells the software how to turn the flat log image into a finished look. Because the phone records real ARRI LogC3, any LUT built for LogC3 footage from an ARRI camera should behave the same way on Magic 9 Pro Max footage. That is the real value of the partnership, more than the logo.

    The LogC3 detail nobody is talking about

    ARRI has two current log standards. LogC3 is the one used by the ALEXA Mini, ALEXA LF, Mini LF and Amira, the cameras behind a huge share of film, TV and commercial work over the past decade. LogC4 arrived with the ALEXA 35 in 2022, because that camera’s new sensor captures about 17 stops of dynamic range, roughly 2.5 stops more than the generation before it, and LogC3 could not hold all of it.

    LogC3 versus LogC4: where middle gray sits In LogC3, 18 percent middle gray is encoded at about 39 percent of the signal. In LogC4 it sits at about 28 percent, leaving more room above for highlights. Where middle gray lands in the signal LogC3 Magic 9 Pro Max, ALEXA Mini, LF ~39% LogC4 ALEXA 35 (17 stops) ~28% 0%100% Lower middle gray means more headroom for highlights. LogC3 LUTs are not meant for LogC4 footage.
    Source: ARRI. Graphic by GeekBlog.

    So the phone is not speaking ARRI’s newest language. Is that a problem? Mostly no, and in some ways it is the smarter choice:

    • A phone sensor cannot fill LogC4 anyway. Even a big 1/1.28-inch sensor captures far less dynamic range than an ALEXA 35, so the extra room in LogC4 would mostly go unused.
    • LogC3 has the deepest LUT ecosystem. Years of ALEXA Mini and LF productions mean there are thousands of LogC3 LUTs, and most grading tools handle it out of the box.
    • It matches a lot of working cameras. If a crew is still shooting on ALEXA Mini or LF bodies, the phone’s footage drops into the same color pipeline as a B-camera or crash cam.

    The one thing to watch: ARRI itself warns that LogC3 LUTs should not be used on LogC4 footage, and the reverse is also true. If you mix Magic 9 Pro Max clips with ALEXA 35 footage, you will need to convert one to the other’s color space first, not just share a LUT.

    A phone vs an ALEXA 35: the money gap

    Price of an ALEXA 35 kit compared with a Magic 9 Pro Max An ALEXA 35 production kit sells for about 86,000 dollars or more at retail. The Magic 9 Pro Max starts at about 968 dollars in China. That is about 89 phones per camera kit. One ALEXA 35 kit buys about 89 Magic 9 Pro Max phones ALEXA 35 kit $86,000+ Magic 9 Pro Max ~$968 Bars drawn to scale. Kit price is a US retail listing; the phone price is the China launch price converted.
    Sources: Hot Rod Cameras retail listing, Honor. Graphic by GeekBlog.

    Nobody is going to swap an ALEXA for a phone on a feature film. The sensor size, lens options, dynamic range and reliability are in a different universe. But that is not who Honor is selling to. The realistic buyers are YouTubers, wedding and event shooters, film students, and professional crews who want a pocket camera for previsualization, scouting or a quick extra angle that will cut with the main footage.

    Honor is also selling the kit around it. There are G200 and G500 teleconverter lenses, a SmallRig cage with handles and cold-shoe mounts, and a directional microphone array. Honor is clearly chasing the same mobile-creator crowd that Vivo is courting with its 400mm Zeiss teleconverter for the X500 Pro Max.

    Price and availability

    MarketStatusPrice
    ChinaOn sale since Sep 28, 2026CNY 6,499 (12/256GB) to CNY 8,499 (16GB/1TB)
    Hong KongPre-orders open, sales from Nov 19HK$10,999 (12/512GB), HK$14,999 (16GB/1TB)
    UK and EuropeJanuary 2027Not announced
    Middle East, Africa, Southeast AsiaRolling outVaries by market
    United StatesNo plans announcedImport only

    Sources: Honor, Android Central, Huawei Central, Unwire HK, GSMArena.

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    Early buyers in Hong Kong can pick a free G200 teleconverter kit, normally HK$1,599, as a launch gift. Honor’s UK store already has an early-bird sign-up page, but no price. Grey-market importers in Europe are listing the phone for roughly €900 to €1,040, usually without a local warranty.

    American buyers are out of luck again. Honor has not named the US in any rollout plan, which follows a familiar pattern. Its Robot Phone, which shares the same ARRI workflow, has not left China at all. Importing is possible, but check band support with your carrier and expect no US warranty.

    Tips if you plan to shoot in ARRI Cinema mode

    1. Expose for log, not for the screen. Use the live LUT preview to judge the look, but watch the highlights. Log footage is forgiving in the shadows and less so once highlights clip.
    2. Use a 180° shutter angle. At 24fps that means 1/48s. In bright light you will need an ND filter, which is where the SmallRig cage and filter adapters help.
    3. Plan for storage. 10-bit 4K log files are big. The top 1TB model, or recording to a fast external SSD over USB-C, will save a lot of mid-shoot deleting.
    4. Keep the original log clip. Even if you love the built-in look, the flat file gives you room to regrade later.
    5. Grade with matching LUTs. Start with ARRI’s own LogC3 to Rec.709 conversion before you add creative looks.

    The bottom line

    The Honor Magic 9 Pro Max is one of the most serious attempts yet to put a cinema workflow inside a phone. Two 200MP cameras, strong stabilization and a genuine ARRI color pipeline make it a compelling tool for anyone who grades their footage or wants it to sit next to ARRI material.

    Just go in with the right expectations. This is not an ALEXA in your pocket, and it records in ARRI’s previous log standard, not the one on its newest flagship. For most creators, that is a sensible trade. The bigger hurdle is getting one: Europe has to wait until January, and the US may not get it at all.

    About this article: GeekBlog covers U.S. technology news, AI, phones, smartwatches and gaming. Every story is written and checked under our Editorial Policy. Spotted a mistake or have a story tip? Contact our editors.

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    Olivia Hartman

      Olivia Hartman is GeekBlog's general technology reporter, covering the wider world of tech beyond smartphones: AI and software, laptops and PCs, gaming, streaming, space, science, consumer gadgets, deals and the policy stories shaping the industry. A versatile journalist with a nose for what actually matters, Olivia turns breaking news and product launches into accessible, no-hype reporting for everyday readers.

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